Any artwork the purpose of which is to present facts objectively, without inserting fictional matter, recording and/or commenting on some content, often political or social, by accumulating factual detail. Many conceptual art installations of the 1970s were overtly documentary — e.g., Post-Partum Project by Mary Kelly (American), the various Reading Rooms by Joseph Kosuth (American, 1945-), Guggenheim Trustees by Hans Haacke (German, 1936-). More common examples: documentary films. Not to be confused with documentation. (

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